Some reflections on the Magi, acting, and the world as God’s summons to us.
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Beginning with God: How We Think About What Things in the World Are
Christmas, and the stories we tell about it, are fundamentally stories about God.1
To try to tell a story about what it means for God to be a character in the story means that the events take on a different pale, and not just because there is an additional character. For God to be thought of as a character in the story means a fundamental shift in what stories are, and what it means for us to have narratives that are coherent about our own lives: they must now account for the unaccountable—God—or risk shrinking down events to manageable bites of history.
This all gets very complicated very quickly, so a quick example:
If I tell a story about how my son made me a decoration for my office door (which he did yesterday), it’s a lovely story and you’ll get misty-eyed. But I tell that same story about something which God was speaking through my son’s actions, it becomes a different story indeed. It doesn’t diminish the door decoration, but expands its horizon, fills it with iconic measure, disrupts the quiet give and take of power and counter-power in a way which is not only more interesting, but more open-ended: there is a way in which now this little gift lives on far beyond the lamination and composition of a nonet. It becomes iconic.
All of this brings us to the magi2, the first actors in Matthew’s Christmas story. It is not until Matthew 2 with the actions of the magi that human action fully enters the picture3, illuminating the difference God makes to how we act, and particularly, how we act on behalf of the needs of others.
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